On behalf of the Independent and Green group, I would like to echo the support for Dundee’s city of culture bid that has been expressed by members across the chamber.
Dundee is, in many ways, a microcosm of Scotland. It is a city with a proud industrial heritage that is reinventing itself for the 21st century and leading the way in video games technology and biomedical research. Over the years, it has been infused with Irish, Italian, Polish, Asian and Chinese immigrants—to name but a few—and both of its top-class universities continue to attract students from all over the globe.
The continued investment by the Scottish Government in Dundee’s waterfront will transform the way in which its citizens interact with the city and will, I hope, add further architectural excellence to Dundee’s many cultural accomplishments. I am assured by my Dundonian researcher that the city’s football teams—of which I know absolutely nothing—particularly the one that plays in dark blue, are also worthy of mention for their European heritage and exciting style of play.
What really makes Dundee worthy of its bid, though, is its people and how they have shaped their sense of self through the bid. Artists and writers are now thriving in a city that is universally recognised to be bursting with opportunity and ambition. From Sheena Wellington’s show-stopping performance of “A Man’s a Man for a’ that” at the opening of the Parliament in 1999 to the wry observations and brilliant talent of the much-missed Michael Marra, Dundee’s contribution to Scotland’s traditional and contemporary folk scene is legendary. Its links to Deacon Blue, Snow Patrol and The View and its annual blues bonanza demonstrate that that musical legacy continues to the present day.
New publishing firms such as Teckle Books and the success of the Bob Servant novels perfectly encapsulate the irreverent Dundonian sense of humour. Those success stories beget popular events, with the DCA’s Dundead horror festival and the Dundee literary festival being other highlights of a packed cultural calendar.
The bid for city of culture status gives Dundee an opportunity to celebrate all her heroes. There are too many other cultural strings to Dundee’s bow to mention: the McManus Galleries, the impending V&A museum, DC Thomson, Brian Cox, AL Kennedy, William McGonagall—I could go on.
It is worth noting in particular the continuing success of Dundee Contemporary Arts and Dundee Rep, not least because both were established at a time when some would have suggested that arts funding should be a lower priority for the city. As two key drivers of Dundee’s continued regeneration, I believe that they have demonstrated the intrinsic worth of cultural investment, and they are two potent symbols of the dedication of the city of Dundee to its artistic community. They are successful because they are used—and used well—by the folk of Dundee.
Dundee fully deserves to be awarded city of culture status, and I hope that, when the judges take in the spectacular view as their train travels over the silvery Tay, they realise that they have just arrived in a city of great culture in any year.